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Three generations of a powerful Maranao family dodge
the forces that threaten their survival. Mired in the conflicts of religious fanaticism, tradition, and the contradictions of “Modern Living,” the
family copes with the changing conditions, where tradition and religious fanaticism clash with liberal styles of the West.
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a play by STEVEN
PATRICK C. FERNANDEZ
synopsis The tonongs
(spirits) witness the affairs of human life. These spirits [Amado Guinto, Leilani Monterola, Wenna Balaido (alternating)] who dwell in their
"other" world of mischief and carefree playfulness uncover the crises of three generations. A family’s drama slowly unfolds before them.
They uncover eighteen-year-old MingMing [Elaine Macamay] who returns from the
spirit world to see a collage of her family’s narratives unfold before her. She pieces her family’s darkest secrets and the reasons for her death.
Three generations of a powerful political family dodge the controversies that have threatened their survival. Eighteen-year-old
MingMing exorcises her past and makes personal retributions. Politics and the expediency of political survival in a highly clannish community have
dictated the family’s decisions on various facets of their members’ lives: kawing (marriage), courtship, social affairs, dissension, education,
and the like.
She learns that her "liberated" mother R [Jean Graciela Peñola] has had two failed marriages, the last a convenient
excuse to hide the real facts of MingMing’s birth. MingMing is the love child of her mother’s affair with an Economics Professor in a Manila
University after her mother’s failed marriage arranged by her family with a much older man to prop the family’s dwindling political fortunes. The
first husband, an ambitious politician, turns out to be more interested in the company of young handsome boys who frequent his mah-jong
sessions.
Ming Ming's mother’s pregnancy is kept a secret (family honor or maratabat is a high virtue). The mother is kept in Sarrat,
Ilocos Norte, to give birth to MingMing. A marriage is arranged with a distant relative who is unaware of MingMing’s origins; he only knows that the
baby has been adopted. MingMing is born seven months before the mother’s 2nd marriage. The next husband, it turns out, is a chauvinist and sadist.
A tradition-reared grandmother I [Venus Tan] masterminds the deception in MingMing story to save maratabat and
her only daughter’s life. For such a sin, death — sentence by the family’s own laws and carried out by the family’s hands — resurrects honor and
cleanses shame. The grandmother has been subject of her family’s decision to disregard her choice of a husband. At 14 years old she was married to the
elder brother of her secret lover P [Al Fay Vintola] to end a bloody rido (family fued) and consolidate the political power of
the clan. This turning point devastates P.
P lives with resentment and derision, and the frustration of losing I to his brother, heir apparent of his family. He is
trained a guerrilla, becomes a dissident leader, and adopts an extremist stance regularly decreeing fundamentalist views to his family, MingMing and
R. In these webs of conflict, MingMing’s real being is slowly uncovered, and the inevitable occurs.
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ARTISTS
Elaine Macamay, Jean Graciela Peñola, Venus Tan, Hobart Savior, Al Fay Vintola, Leilani Monterola, Amado Guinto, Wenna Balaido MUSIC DIRECTOR Steven Patrick C.
Fernandez MUSICIANS Steven Patrick C. Fernandez, Jose Ma. Tolentino, Ronald Salazar, Lorraine Antiquina, COSTUME DESIGNER Amado Guinto DIGITAL
PHOTOGRAPHER Ronald Salazar STAGE MANAGER Jhanis Saceda ASST. STAGE MANAGER Vicmar Paloma PRODUCTION MANAGER Arlem M. Abanes SECRETARIAT Glengyl Umali
TECHNICAL DIRECTOR Arvin Solis TECHNICAL ASSISTANT Albert Manosa
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