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Arlem
Abanes, when not acting, directing, or facilitating
workshops manages the guild and works as its Resident Stage Manager.
He played the lead in the winning production Ang Paglilitis ni
Mang Serapio (1989 CCP Drama Competition winner) and in the tours of
Batang Pro
. He has performed and toured with IPAG in all major
productions and international performances. |
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Loraine Antiquina
is with the music pool. She also works as a member of the staff and joins the
international and national company as music performer and vocalist. "Small but terrible"
describes her ability for
music making. She is a student (on leave) of the College of Education and is Resident Music Artist and Trainor. |
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Wenna Balaido
graduated cum laude (Physical Education) with a
dance award. Being one of IPAG's more accomplished dancers she infects
audiences with her strong physical presence and grace. She joined IPAG
in 1998 and is with the first team joining all touring productions.
She also joined the National Choreographers Workshop with Basilio Villaruz. She teaches in the
Capitol University in Cagayan de Oro City. |
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| Lex Bryan Bangot mainstays
with the music ensemble. He plays the kulintang, gongs, drums, flute, guitar and
the rondalla. He also tours with the main company and is part of the
Tales
and
Tatlo sa Isa national tours. |
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| Enrique 'Iking' Batara teaches
Political Science and doubles as musician. He remains an "elder" administering
and coordinating production of all tours since 1984. He has worked in all
major productions since
Ranaw
, the Singapore Fest, and the world
and national tours of
Tales.
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Phoebe
Jean Gayanelo is the Institute Performing Arts Awardee when she graduated
with a BS Marine Biology degree in 2006. She acts in
Babuyan Island
and in the national tours of the IPAG. She has also done work in film.
She is with the international team and joined the 2006 US tours. |
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Julius
Gregory
Hechanova
as wholesome as the-boy-next-door is one of IPAG's
more busy bodies. Besides working with the staff, Jul dances, acts, and
tours with the IPAG. He joined the Guild in 1998. He recently graduated with a
degree in Education and passed the Teacher's Board immediately after. He studies
ballet and jazz under Connie Lo-Noval and Rene Henojales. Jul taught in the Don Bosco
in Cebu City. |
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Eleanor
Judith-Lila performs as actress and dancer
in major roles of IPAG’s tours since 1985. Her performance credits are
numerous but she is well remembered for her role as the scrupulous and
comic female monkey in
Tales most-applauded vignette that
has established IPAG's popularity among Europe's and this country's audiences.
She was recognized with the Niaga-Siruffy award in the Pearl
Anniversary. |
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Elaine Macamay-Baulete
may have an angelic profile but looks are deceiving.
Inside those sweet features is a bagful of mischief. She portrayed Connie
in
How the Women. She may be petite and (once) slim, but this is not because
of a lack of appetite but because of a voracious energy she expels during
performance. An actress, she tours with
Tales
and is lead in
Ming Ming. She teaches Political Science in the MSU-IIT. |
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Lara Fatima Maglinao
played the sensual Amada who cavorts as the Tadtarin in
How
the Women
.
She started dancing at 6 years old and has had several stints with theater
and dance here and in the States. Her most memorable theater experience
was perhaps when she auditioned for the Philippine staging of Ms. Saigon.
She performs for the
Tales
international tours and acted in
Isa Pang Kawing.
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Lilybeth Maraon
has danced
for the IPAG since 1989 and has joined
most national and international tours. She also danced the lead role of
Sarimanok in
Tales. Besides performing, Libat audits and accounts
for the Guild's finances. As resident artist, she trains and rehearses
budding performers and is with the Creative Pool. She also joined the National Choreographers Workshop with Basilio Villaruz. |
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MORE ARTIST PROFILES
profiles
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